Joe D'Ambrosio Management | Lucy Woodward
Lucy Woodward

Til They Bang on the Door

“So, about that album title….”

“It’s the ‘neighbors telling you to turn down the music’ moment.  It’s the magical hour,” explains Lucy Woodward.  “It’s that moment when anything can go right or wrong.”

A perfect summation for ‘Til They Bang on the Door, a slinky, brassy and decidedly sexy record that marks a bold, new direction for the singer.

Bang is the culmination of a long and decidedly varied musical journey for Woodward.  The daughter of two classical musicians, the singer spent her childhood, as she puts it, “music-making and creating.”  Fresh out of school, she was singing jazz on Bleecker St. for tips, singing in cover bands and writing songs before signing with Atlantic Records—a time period that saw her score a Top 40 hit with “Dumb Girls” and another Top 5 hit she wrote for Stacie Orrico called “(There’s Gotta Be) More to Life.”

But Woodward had no desire to be a pop starlet:  her follow-up, the jazzier Lucy Woodward is…Hot and Bothered, was released in a unique indie arrangement with Barnes and Noble.  This, in turn, was followed by Hooked!, an album of Brill Building meets swing-styled songs, released on Verve and produced by Tony Visconti.

Bang marks Woodward’s long-awaited solo return, her first album in six years.  The unfolding romantic twists and turns Woodward embraces on Bang is matched by the dramatic fits in her music:  opening with the Shirley Bassey-style “Ladykiller,” the album segues into upbeat pop (first single “Kiss Me Mister Histrionics”) and one guaranteed live singalong “Be My Husband” (recorded with the ever-soulful Everett Bradley) before ending—like the moment after a big storm settles—with the beautiful piano ballad “Free Spirit.”

Bang is Woodward’s first release for GroundUP, the breakthrough indie label started by Michael League.  It is produced by Henry Hey and co-produced by Michael League.  Woodward plans to hit the road soon, performing for one of the most diverse fan bases in modern music.  “I can see an audience growing with me,” she says. “When I play live, there are fans from 10 or 15 years ago bringing their kids.  But now, I’ve been exposed a bit more to the jazz world and from working with Rod Stewart and they are all incredibly supportive.”


Knoxville News Sentinel – February 2017
The Daily Times – February 2017